nach der veröffentlichung von -moderat live- auf cd und als digitales produkt erscheint dieser release nun auch endlich auf vinyl in einer liebevoll ausgestatteten 2x12- vinyl-box. das artworkmotiv - in einer speziellen adaption als handsiebdruck ausgeführt und die box aus maschinenkarton in einer ritz-falz-klammertechnik manuell produziert - enthält außerdem das 20-seitige exklusive fotobuch von birgit kaulfuß -in my eyes- sowie alle tracks der ursprünglichen ausgabe auf schwarzem doppelvinyl. die ausgabe ist weltweit auf 1.500 stück limitiert.

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

lange war es still um nelly furtado. nach ihrer letzten welttournee zu ihrem album »the spirit indestructible« gönnte sich die kanadische sängerin erst einmal eine wohl verdiente pause, die allerdings fast fünf jahre dauerte.
ausgeruht und frisch startet sie 2017 ihr comeback. im gepäck hat sie ihr neues album »the ride«, für das sie mit zwei echten hochkarätern zusammenarbeitete.
das transparente 180 gramm doppelvinyl erscheint im 3-fach klappcover.

off the leash is the cry of morphed pack animals from a ufo crash site. it’s radiated saliva dripped onto cold machinery burning through circuit boards. .the first transmission morphs from cyborg electro to broken down party frequencies. it’s conspiracy meetings caught on short wave radio. the b side hits it harder, rolling tough with some nasty b-boy party electro and a euphoric hardcore cut complete with acid lines swooping in like winged beast. a fitting soundtrack to a midnight cruise across the landfill dunes as mutants creep into your backyard as the bros sink into the dunes.

nice price deal !!! jorg henze has impressed us all with the output on his skip imprint since it kicked off some few months ago. he has shown with this label how diverse a producer he is and this record adds more weight to that argument. the a side here is a throbbing minimal growler with its twisting acidic textures and minimal groove well punctuated with vocal samples and sharp percussion. the a side keeps up the intensity with its bass heavy warehouse style groove with mad vocal snippets and killer drums. this is a two tracker just made for sweaty dark dancefloors. it rocks

limited edition vinyl only release with poster cover.
recorded live in the studio with members of lcd soundsystem, hot chip, sinkane, the rapture, the beasty boys plus jamie lidell and charles lloyd.

piyojo’s work is an alternately contemplative and contorted journey through unconscious spaces in research of “time” echoing electro-tribalism and ethereal minimalistic micro-music compositions

matthew dear lands on hot creations under his audion moniker. the electrifying starfucker is remixed by house music veteran ian pooley and the notorious young nyc duo the martinez brothers. in true audion style, starfucker takes a series of unexpected turns and the groove propelled track is made to shake up big rooms. audion s second original need your loving is equally intoxicating, with subtle vocals and driving drums. matthew dear as audion is responsible for hit releases such as suckfish and mouth to mouth. at the top of his game for over a decade, the talented artist has also released successful albums under his original name and performed with a live band opening arenas for depeche mode, interpol and more. he also recently released the latest installment of the dj kicks compilation and an acclaimed audion artist album. over twenty years into his career and ian pooley is still releasing on the biggest and cutting edge labels, with recent appearances on innervisions, ovum and tsuba. he packs the swing into his remix and adds his signature style with a touch of class. the martinez brothers remix is bursting with energy and demonstrates the duo s understanding for how to work the big stage. an unstoppable force, the two have been taking the world by storm with their energetic dj sets, consistent output of music and running of their labels cuttin headz and tuskegee.

blue note is pleased to announce the release of legendary nigerian drummer tony allens new ep, a tribute to art blakey and the jazz messengers. the 4 titles featured in the ep moanin, the drum thunder suite, night in tunisia, politely provide a preview of his forthcoming first album for blue note (currently scheduled for release in autumn 2017) on which tony allen pays tribute to his longstanding idol, american jazz drummer art blakey.the ep s four titles and the other tracks that make up the album were recorded over three days in paris at the midilive studios, the former facility of the vogue label. the sessions were done in live conditions that saw tony allen and his 8-piece band together in the same room, with the sound channelled through 12 separate mikes onto 2-tape via a sony mci-jh24 analogue multi-track recorder.

the physics house band ist ein junges progressive-rock-trio aus london/brighton, das psychedelischen vintage-1970er-stadionrock mit expandierenden keyboards, spacerock-gitarren und dub-boom-bässen im stile yes oder rush mit dem postrock und sub-krautrock der sorte tortoise, radiohead und the mars volta fusioniert. “mercury fountain” ist ihr zweites album und ein superintensives sci-fi-mindfuck-werk, das sie 2017 auch live präsentieren werden.

das beste vom besten von the bosshoss auf doppel-vinyl im klappcover.

released in a limited edition of 70 copies. artwork made by kir and printed on heavy duty paper. recorded live during an ekstrakt party, in the legendary medika squat in downtown zagreb.

this is the 3rd release on riot radio records, an independent techno label based in scotland. ingen is an edinburgh based producer who s sound is one of harsh complex poly-rhythms and soundscapes that crosses over into the darker realms of techno. over the years he s appeared on many respected labels and also works regularly on projects with some of the worlds techno elite. for those lucky enough to see him battering out his stunning live sets, playing alongside such lumineries as surgeon, whitehouse and the advent, these humbled few know exactly what extremes ingen is capable of reaching to crush your senses into submission. on this release, along with the original version of haste makes waste , there are remixes of this beast of track by lag, martyn hare, paul birken, duellist and the riot remix (ingeneered by taser), each one taking the original composition down a different track. the ingeneers have spoken.

3xlp album move d, jonah sharp, juju & jordash build the new supergroup the mulholland free clinic. their self-titled debut lp release is the recording of their second ever improvised, allhardware live set which emphasizes the ongoing paradigm shift in live electronic music.

first lp release. recorded live on 23th october 2015.

2 very long recordings aprox. 13.mins each side. edition of 529 copies in different colors. recorded live session.

brendon moeller makes a neat fit on vancouver island s finest outpost of dusky avant-techno. moeller has of course turned his hand to many different shades of rhythm over the course of his career, but there s something in his blown out, dub-smoked sound that aligns perfectly with the autumnal introspection of silent season. the results live up to the promise, from the warm but melancholic throb of glow to the oppressive sub pulse of abandon. the hike takes things into more abstract territory, and then yearning rounds the record off on an oblique swinging techno tip trasnmitted from out in the leftfield.

the legendary dj trax (moving shadow) returns to tempo records with four diverse & energetic drum & bass jungle cuts of the highest quality. on a2 no name we have live drums played by kj sawka (pendulum). this release comes as a limited 140g crystal clear vinyl pressing with full artwork sleeve + white glossy inner sleeve, including a mp3 download voucher + a free poster/inlay and all tracks mastered by stuart hawkes of metropolis mastering london. special note: only 100 posters/inserts will be signed & numbered by dj trax himself.

the lifesaver 3 compilation, the yet most comprehensive package of the lifesaver history, sounds like electro, sharp-edged like the vault in a hague bunker (lauer), provides data pop with piano crescendo (fort romeau), brings the style characteristics of german schlager music to the breakdance mat (rolande garros), lets the bulky lily-of-the-valley bells clang and sends the reverb tails away with the wind (benedikt frey). there are several new names to discover: felix strahd, benjamin milz, vincent feit, and of course there a many old acquaintances: massimiliano pagliara, orson wells, tcb, chinaski. roman flügel brings us “good news”, however: “from another planet.” and fort romeau feels “lost, again”, but in such somnambulistically beautiful manner that you want to get lost with him instantly and jointly find the great joy.

the painters ep is a companion release to the band’s 10th studio album painting with. the ep contains three new original tracks recorded during the painting with era, and a studio recording of “jimmy mack,” (made famous by martha & the vandellas) performed during their live sets from this era.
cut at 45rpm, comes with download code included.

full live set from isis’ final australian tour in 2010. features material from “wavering radiant”, as well as select highlights from all of the band’s other albums. mixed by aaron harris (isis) and mastered by james plotkin.

the mixtapers are an italian band focused on a dynamic, live funk and hip hop sound. following an appearance on sonar kollektiv last year with the we so good 12inch, they ve been chosen to inaugurate bakerboy s agnis music label with this effervescent ep. the title track on sun metaphors uses blissful rhodes keys as the focal point for a sunkissed slice of vocal deep house, while smokey reflection takes a more punchy approach to the drums while maintaining the woozy mood. trinity kicks off the b-side with some squelchy electro funk stylings, and then sara lima lends her vocal tones to downtempo cruiser stay (away from me)

official sony reissue of charles earland s coming to you live another one of those rare infectious 12- releases which has grown in stature over the years. championed by big names such as gilles peterson, theo parrish and moodymann, it has become a firm favourite with dj s and clubbers alike, entertaining many discerning dance-floors. pressed on 180g vinyl shrink wrapped, using the original master tapes

nach zwei gefeierten eps veröffentlicht jackson phillips a. k.a. day wave sein langerwartetes debütalbum the days we had. headcase aus dem jahr 2015 mit der durchbruch-single drag überzeugte sofort mit dem träumerischen surfpop, der nachfolger »hard to read« legte noch eine schippe drauf. inspiriert von den gesangsharmonien der beach boys auf der einen und den songstrukturen von joy division und den frühen new order auf der anderen seite, nahm der sänger und multiinstrumentalist die ersten skizzen ganz analog an gitarre, bass und schlagzeug auf.
jetzt folgt also die erste lange platte von phillips musikalischem soloprojekt. obwohl phillips sich selbst als seinen größten kritiker betitelt, hat er das album nur mit unterstützung des toningenieurs mark ranken fast im alleingang eingespielt und produziert. so entstanden elf wunderschöne songs mit gitarrenbasierter melodieführung und voller elektronischer tiefe und wärme. live wächst dieses soloprojekt zu einer band. zusammen mit seinen musikern erzeugt der kalifornier mit seiner weichen und gleichzeitig sehr eingängigen stimme und seinem lässigen charme eine zauberhafte stimmung. die melancholisch-melodiösen songs zünden sofort, wenn phillips und seine jungs auf der bühne stehen.

n.m.o. is the project of north sea drummer / producer morten j. olsen and the mediterranean synthesis-aficinado, rubén patiño. the title of the project, n.m.o., is an ever-changing acronym that incorporates club music, performance, miltary drumming, fitness and absurdity. this ep unfolds the latest, nassau molasses office and also the bands new deviation, deutsch am fuß (daf). the duo combine performative aspects into their percussive patterns and synthetic sounds that explode during their short and intense live shows. n.m.o. recently performed at ctm festival and also created a musical chairs performance with nts. for this new ep the nordic-mediterranean duo, nassau molasses office, set off on an -excursion of possible caribbean youtube islands” for the a side. on the b side, sees the band-in-a-band blend transatlantic rhythmic club interludes with a retroesque west germany flavou

album recorded at jazzy jeffs home, by numerous artists, in seven days - creative process was streamed live via facebook live from jazzy jeffs fan page - album includes soul, funk, hip-hop, jazz, pop and samba

monsieur kapote comes back with another deep funk house ep on toy tonics. slap bass, wurlitzer jazz pianos, old school house drum machines, nasty talks. this new three- tracker continues the vibe of his last single the nose (that went no.1 on traxsource and juno and is still getting hammered by dj’s from all kind of scenes). this is slow grooving dance music. nothing is stressy here. jazz funk inspired mid- tempo house with live played bass, keyboards and lot of warm harmonies. played with a high musical level. pure quality. in fact kapote used to play keyboards and bass in jazz bands before getting absorbed by dance music culture. he is a big fan of late 60ies hard bob jazz as well as 1970ies jazz funk and disco. you can feel these vibes in all of his tracks. besides producing his own music kapote also is running toy tonics records with his buddies manuel kim and munk.

der in texas geborene rhythmus- und bluesgitarrist melvin sparks war einer der großen des soul-jazz. melvin spielte mit lou donaldson, leon spencer, bernard purdie, jack mcduff, jimmy mcgriff, idris muhammad, dr. lonnie smith, charles earland, grover washington jr., reuben wilson und so vielen mehr. auch in den leisesten jahren des soul-jazz blieb melvin durch hip-hop und r&b aktuell. diese veröffentlichung dokumentiert melvins letzte band, nur wenige monate vor seinem tod. der organist beau sasser und schlagzeuger bill carbone arbeiteten seit einigen jahren mit sparks zusammen. die tracks auf diesem album, liebevoll gemischt von gitarrist, produzent und melvin sparks-fan eddie roberts, zeigen, dass melvin auch in den letzten monaten seines lebens wie zu jeder zeit spielte.

the much lauded no.19 music serves up another excellent all canadian affair for its next ep:behind it is producer & label co-owner nitin, with remixes from live specialist the mole and labelboss jonny white aka art department who serves up his own hypnotic take on things.no.19 music has been going back to its roots recently, bringing to the fore a steady stream ofincredible underground music from torontos sons & daughters. 2016 closed out with thestandout single, full circle from art department in collaboration with ad/d, seeing supportacross the board for the return of jonny whites much loved moniker. however it is the longstanding partnership of white & nitin that is the true central pillar of the no.19 story, and its thelatter that offers up here what is almost certainly his most impressive work to date

more than 10 years after the initial release, the album finally sees a gatefold double vinyl release featuring 10 of the best tracks from vol.2 of the series and released exclusively for record store day 2017. limited edition!

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

on the occasion of its third release, lumièreslanuit and toneseries co-founder, edouard, is glad to welcome back brussels- based music composer, live performer & dj ground tactics on an der grenze. indeed, in 2015 colin aka ground tactics made his

incredible repress of rick wilhites 2004 ep on chicagos still music imprint. pure detroit beatdown house music, featuring some stellar remix and production work from the legendary delano smith too! city bar reopen live dancing is the opening track, a down-low, funk drenched late night mover that s full of soul with killer vocals from the amazingly monikered billy beemer aka bill beaver. this one s a cult track, underground house music for dancers! 2 mixes of magic water also appear on this essential 12inch, a collabo between rick and delano which is all that needs to be said really! as you can imagine this one is deep a subdued groove that slowly blooms and unfolds until you re totally locked in and it s too late! all in all, a timely reissue of a mid 2000s classic 12inch overflowing with rick wilhites unique style and flow, one of detroit’s most unsung heroes.

the digital afterlife is a live workout recorded in amsterdam, early 2016. the b side features a couple of prime gherkins straight out the hieroglyphic pickle jar...tip! . a1. the digital afterlife was performed live during a 2hr hieroglyphic being ambient show at amsterdam s occii in january, 2016. the moment was beautiful, the recording was strong. b1. a tribute to the beautiful northen french town of arrass b2. you aren t up on akashic energies ?

new orleans’ grammy-nominated hot 8 brass band release their fifth lp, ‘on the spot’. in true hot 8 style, this album pairs hard-hitting, heart-on-sleeve sentiment with party-fuelling beats, hooks and grooves, raw funk and charismatic hip hop vocals mix with big easy jazz elegance. expect unshakable horn riffs and bubbling bass as the record transports you right into the centre of an electrifying hot 8 party crowd.
the double vinyl release includes a download code.

deep88 on 4 tracks jammed live, direct recording, no editing, what you hear is what he plays. that border between techno and house.

famed live act and hardware lovers juju & jordash release a store-only 12inch on dekmantel!

julia holter eröffnet mit dem live-album -in the same room- eine reihe, der zu ehren domino ein neues sublabel ins leben gerufen hat. domino documents wird, in anlehnung an die legendären peel sessions der bbc, studio-aufnahmen seiner künstler veröffentlichen, die innerhalb eines tages, niemals mehr als zweier tage unter live-bedingungen in einem londoner weltklasse-studio aufgenommen werden. der erste offizielle documents release ist nach einem song von julia holters domino debüt -ekstatsis- benannt. diese neue, karriere umspannende sammlung ist das ergebnis aus zwei tagen arbeit, die julia holter nach ihrem auftritt beim letztjährigen green man festival mit band in den rak studios geleistet hat.
das 180 gramm doppelvinyl erscheint im klappcover, downloadcode inklusive.

we are at a point where progress is so rapid it outstrips humans ability to comprehend it. “singularity is near”, hidden behind this name we find the tracks alpha and omega, together they represent the theory of eternal return, and many human beliefs. both tracks were inspired by the last live performances by the transhumans.

(lp+ dl) more than 10 years already, hijaz, an instrumental arabic jazz combo, is searching for the perfect symbiosis between mediterranean warmth, polyrhythmic structures and musical virtuosity. 10 years – live recordings consists of new and old material

an incredible, funked-out live show and production team with their own modern take on boogie, philly soul, and ny disco. xlr8r the possé are a new face to many people. the five piece run by andrew elston and ross ferraro is comprised of veterans from all over australia’s music scene. after a year of knuckling down in the studio and a string of sold out shows they’ve boiled down their favourite influences into an in-credible, raw, funked out live show and production team. watch out for the posse’s debut ep, our thing, featuring contributions from andrew elston (phy-sique/toni toni lee/catcall), ross ferraro & jarrol renaud (the goods), michael di francesco (touch sensitive/van she) and nz jazz keys prodigy andrew bruce.

the untold stories label continues in cosmic vibe with their pro series single entitled spok, by franco cinelli. the bside features a remix by fellow argentine and emerging talent nektar agu. the two artists first collaborated earlier in the year with franco cinelli doing a remix of nektar agu s track rainy days, which received support from ricardo villalobos. now continuing in fine form nektar agu returns the favour with a superb remix of franco s 14 minute atmospheric dance floor filler, developing it joyously, with intricate percussion and an altogether enlivening mood filled with maasai voices which gives the remix a very different and earthly tribal spin in comparison to the more cosmic aura of the original spok. live long and prosper!

mystica tribe is the musical alias of tokyo-based producer, taka noda. drawing on a wide range of influences from dub, soul, bass music, rhythm and blues mystica tribe has quickly been developing a very distinctive sound that exists in a weird, freaked out zone between dub and techno. noda is especially interested in deep, psychedelic music, and this is reflected in his productions, which are equally suited for late night listening sessions or bent, broken in dancefloors. his first track, meditation stick, was released in 2011 on dutch label sd records, backed by two remixes from label owners syncom data. this was followed by two more eps on sd records in 2013: stars are mine and flowers. artists like gilles peterson and 2562 have supported these well-received releases, and his track. his temple recently appeared on pangaea s fabric live 73 mix cd. in 2014, noda is launching his own label, mystica tribe records, through which he plans to continue developing his uniquely psychedelic take on dub and techno. his recent ep, lizard, was released on his label in 2014. jade eye ep was released on his label in 2016.

zwei alltime-klassiker des northern soul back 2 back auf einer 7”: die erste soul-nummer des großen dean parrish von 1965, sowie die erste vinyl-reissue von j.b. troys “live on”.

repress 2017 , 1 per customer / 1 per kunde
the new collaborative endeavor between mliu regular brawther and tristan da cunha of back to basics fame, dungeon meat live up to the brash nature of >the fuck off track< with heavy hitting percussion driven house at its finest. look out for a label of the same name from dungeon meat later this year. face down ukrainian producer se62 returns for mliu duty for a third time with the hook heavy deep house burn of true force

cr= craig richards, va= volkan akin, jt= josh tweek, yy= yonatan yudkovitz, jm= jesse morrison, h= hamid hpls 002 sees the concept unfold a little bit more by showcasing six of the different collaborations featured on the forthcoming releases. the highlight would be indeed the collaboration with all time favourite ,and fabric da, craig richards. the result captured perfectly the mind bending essence that you usually encounter in his early morning or after party sets .tracks with volkan akin, josh tweek and jesse morrison will fit perfectly in more conventional narratives, when the live saxophone from yonatan yudkovitz compliment a more down tempo and experimental exercise.

this collection of demos and live recordings from amsterdam/dutch post-punk bands capture the early 80s sound and offer a unique insight into the spontaneous, diy music style of the time. wide representation of styles on here - from driving guitar punk to weird minimal synth, deluxe 180 grams vinyl edition w/ two page insert with info & pics of the bands.big tip for the nl punk collectors and beyond!

nyc-based duo jasmine golestaneh and eddie cooper write songs through a telepathic kinship thevve developed since they started making music together. we have these sort of unspoken criteria when we re writing music. we never really need to explain what that is but we both know when it s missing or when we ve hit it. the pair, aka tempers, are set to release their fundamental fantasy ep via the vinyl factory on 24th february. creating an emotional and tonal tension of sensual and mechanical impulses, their brand of dark electronica sets haunting song writing to a sinister disco beat, pop melodies floating in an almost industrial soundscape. it follows the bands 2015 debut full-length services. fundamental fantasy is about exploring the creative scenery of romantic illusions. our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. the ways we fictionalize people to fit into the narratives we have about love - to reflect our own beliefs, virtues and flaws. it is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better tempers musically, fundamental fantasy is an evolution in both song writing and process, while still tracing a clear line to their earlier output. many of the eps melodies were born of live improvisation, which helped them create an instinctive, natural immediacy within their electronic arrangements. the cover of the ep depicts the duo on the volcanic island of stromboli, where they performed at the volcano extravaganza, an art and music festival curated by the vinyl factory.it is a perfect landscape to mirror the mood of ‘fundamental fantasy. a seemingly idyllic place that is isolated from the outside world.

highly recommended!! parassela is the live and studio project of the analogue cops and blawan. they are back on restoration record with the “flunkey” e.p., an explosive 4 tracker of massive hardware jams. uptempo beats, heavy basses, suspicious noises, obnoxious analogue pads. raw-fi techno at its state of the art, helically scanned with no hesitation to 12.7 mm. magnetic bands.